Midway through this year & we’re already saddled with a hefty amount of big’uns. The National, LCD Soundsystem, The Black Keys, Caribou & Broken Social Scene have all released stellar efforts over the last 6 months. But as always, mid-year is a great time to assess some of the not-so-hyped nook-&-cranny-type albums that you might not have heard or maybe just glazed over while reading a blog. So here thems is…

Ariel Pink’s Haunted Graffiti Before Today

(4AD) CD & LP
Ariel Pink has had a huge impact on DIY music over the last 3 years. The legend of his apparently vast vault of unheard music recorded to cassette from 1998-2002 is enough to hook the average music geek, but then there’s the tunes themselves; half-reimagined echoes of AM-radio pop & tuner dial errors. 80s new wave, lo-fi electro blippery, arm-in-arm feel good vibes & utter weirdness all blend together in a haze of modern tape-warped genius. Before Today bares a little more sheen than his historic swath of 7“s & cassettes but that’s fine, these tunes still retain the nostalgia & energy that keeps Ariel Pink one of indie music’s most enigmatic & magnetic fixtures.
Ariel Pink on the myspace

The Roots How I Got Over

(Def Jam) CD & 2LP
One of the great things about The Roots’ residency on Jimmy Fallon has been the affect it seems to be having on how they’re going to be remembered. Instead of “retiring” on the show (something the bad was apparently contemplating after a tough couple of years of slim sales & meek reviews), their creative fire has been reignited & the public’s perception of where they sit within the lineage of important hip-hop acts is being appropriately revised. THESE GUYS ARE LEGENDS. They’ve co-wrote, produced, collaborated & played live with virtually every important hip-hop artist of the last 15 years, seriously. Not to mention Tariq aka Black Thought (along with Pharoahe Monch) seems destined to go down in history as one of Hip-hop’s most underrated MCs… ANYWAY, How I Got Over – new album, chock full of emotionally grounded, mature, grown-ass hip-hop that sees The Roots collab with Jim James (of MMJ), Joanna Newsom, Dirty Projectors plus old haunts like John Legend & Dice Raw. Man, it’s nice to see some of hip-hop’s elder statesmen (Wu-Tang, Big Boi as well) reclaiming this bewildered genre.
The Roots on the myspace

Born Ruffians Say It

(Warp) CD & LP
Toronto-bred experimental poppers. Red, Blue & Yellow was a great post-Beach Boy vocal/guitar workout & Say it retains the agitated quirk & pep of that debut. Surf guitar, vox harmonies, neurotic wailing, spindly structures… in a world where Dirty Projectors are so highly regarded, Born Ruffians are certainly deserving of a second glance from fans of left-field, caterwauling indie-rock. “Sole Brother” fuses many disparate styles, but cohesively & fluidly; dry-as-bone guitar figures pin down otherwise sprawling ideas – it’s a great melange of what the fringes of pop has to offer at the moment.
Born Ruffians on the myspace

Blitzen Trapper Destroyer Of The Void

(Sub Pop) CD & 2LP
Another Portland band with serious chops, returning with another opus of 70s-inflected new classic rock. Eric Earley & crew straight up KNOW classic rock. From Laurel Canyon folkism to Band-era Dylan to Tom petty guitaring, they wrap all that’s good into one satisfying package that makes many plunderers of 70s lineage look silly. And that sums up Destroyer Of The Void. A great blend of everything that made 70s rock what it was: folk, prog, riffs, harmonies, saloon piano & killer harmonica. Plus relatable narratives that shimmy in cute aphorisms & ideas.
Blitzen Trapper on the myspace

Autechre Move Of Ten

(Warp) CD & 2 X 12”
After their return to melodicism coup-d’etat earlier this year, Sean Booth & Rob Brown hammer us with another 2010 release, the mechanical counterpart to the classic IDM ambiance of Oversteps. Move Of Ten is a rhythmic beast, grounded in tangible loops & recognizable meters of dystopian dissonance. As always, succinct sound design is the order of the day, but man, some of this stuff just straight BANGS. Ten new abstractions of rhythm, texture & pseudo-melodic inclinations. Opener “Etchogon-S” freaks 808 drums down a k-hole of verbed-out synths while “pce Freeze 28i” lumbers along at broken-beat measures… quietly, but surely, these two are cementing their place in the lineage connecting Kraftwerk, Detroit, Warp & the future. Truly mesmerizing, unearthly imaginings.
Ae’s Warp page